Sound & Specs Comparison
Both IEMs are widely regarded in the audiophile community. See how they differ in terms of sub-bass response, upper mids, clarity, and overall tonality. Spider charts and rating breakdowns included.
Facts, details, stuff.
General Info | Cantor | x Gizaudio DaVinci |
---|---|---|
Brand | AFUL | DUNU |
Country | Taiwan | China |
IEM Description | The AFUL Cantor combines technical precision with musicality in a hybrid design. Featuring a dynamic driver for powerful bass and multiple balanced armatures for clean mids and sparkly highs, it delivers a spacious soundstage with excellent separation. Tuning leans slightly toward a balanced-bright signature, making it a solid choice for detail lovers who still want some low-end punch. | The DUNU x Gizaudio DaVinci is a 6-driver hybrid IEM (2DD+4BA) with a rich, warm tuning and powerful sub-bass. It offers a musical, slightly U-shaped sound signature with lush mids and smooth treble. Each unit features a unique stabilized wood faceplate and premium build quality. |
Price Level | 500 – 1.000 | n/a |
Housing & Driver | ||
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Driver Config | Multi-BA | Hybrid |
Driver Types | Balanced Armature | Dynamic Driver + Balanced Armature |
Shell Material | – | – |
Cable | 4Braid 5N OFC Cable | – |
Technical | ||
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Freq Range | – | – |
Impedance (Ω) | 20 | – |
Sensitivity (dB) | 106 | – |
Crossover | RLC Network Electronic Crossover | – |
Platform Info | ||
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Comments | 2 | 0 |
Visit Count | 138 | 36 |
External Reviews | 1 | 0 |
// Nothing to compare yet.
Cantor delivers a tighter sub-bass response, controlling low-end rumble with more precision than x Gizaudio DaVinci (8.5 vs 7.3). It enhances basslines with a more energy and grip, giving them a livelier feel compared to x Gizaudio DaVinci (9 vs 7.7). Listeners may find the low-end impact on It a more engaging during high-dynamic passages (8.5 vs 7.8). It achieves a better warmth and coherence in the lower mids, bringing more realism to guitars and cellos (8.5 vs 7.2). Upper mids are n more resolving and expressive on It, revealing emotion and articulation better than x Gizaudio DaVinci (8 vs 6.8). It provides a more refined lower treble, resolving fine detail and air with greater finesse than x Gizaudio DaVinci (8 vs 6.3). The upper treble of It extends a further, offering more sparkle and openness than x Gizaudio DaVinci (7.5 vs 5.8). The stereo field on It feels a wider and more holographic, whereas x Gizaudio DaVinci sounds more intimate (8 vs 6.2). With a higher resolution, It allows finer textures and room ambiance to shine more than x Gizaudio DaVinci (8.8 vs 6). It organizes musical elements a better across depth, enhancing spatial realism over x Gizaudio DaVinci (8.3 vs 6.3). Instruments remain intelligible on It even during busy sections, showing e better handling of masking than x Gizaudio DaVinci (8 vs 7). The note presentation is c fuller and more tactile on It, giving instruments a stronger physical presence than x Gizaudio DaVinci (7.5 vs 6.5). Percussion and quick attacks feel a more physical and punchy on It, adding excitement over x Gizaudio DaVinci (8.5 vs 6.8). Listeners may experience overwhelmingly fewer sharp edges in 'S' and 'T' sounds with It, whereas x Gizaudio DaVinci can get fatiguing (8.5 vs 4.3). It achieves m better tonal neutrality, avoiding colorations present in x Gizaudio DaVinci (8.8 vs 6.5). It renders texture a more precisely, making instrument surfaces and vocal grain more palpable than x Gizaudio DaVinci (8 vs 6).
Cantor | x Gizaudio DaVinci | |
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Sub Bass | 8.5 | 7.5 |
Bass | 9.0 | 7.8 |
Bass Feel | 8.5 | 7.9 |
Lower Mids | 8.5 | 7.3 |
Upper Mids | 8.0 | 7.0 |
Lower Treble | 8.0 | 6.7 |
Upper Treble | 7.5 | 6.3 |
Sound Stage Width | 8.0 | 6.5 |
Detail | 8.8 | 6.4 |
Layering | 8.3 | 6.5 |
Masking | 8.0 | 7.0 |
Note Weight | 7.5 | 6.5 |
Slam | 8.5 | 6.8 |
Sibilance | 8.5 | 4.3 |
Timbre Color | 7.5 | 7.8 |
Tonality | 8.8 | 6.5 |
Texture | 8.0 | 6.0 |
// Nothing to compare yet.