AVG. Rating
7.2
IEM AIEM B
VS
AVG. Rating
7.1

Mk12 Turrisvs.Zenith

Sound & Specs Comparison

Change Focus:

50%
Mk12 Turris
Absolute Score: 79.3%
50%
Zenith
Absolute Score: 69.1%

Total categories compared: 29

🤝 It's a tie! Both IEMs are evenly matched.

Information

Both IEMs are widely regarded in the audiophile community. See how they differ in terms of sub-bass response, upper mids, clarity, and overall tonality. Spider charts and rating breakdowns included.

Objective Comparison

Facts, details, stuff.

General InfoMk12 TurrisZenith
BrandHidizsKZ Earphones
CountryChina
IEM DescriptionThe MK12 Turris brings a striking design together with a smooth and full-bodied sound. It’s an all-rounder that aims to please a broad range of musical tastes while offering style and substance in equal measure.The KZ Zenith is a budget-friendly in-ear monitor that aims to deliver a fun and energetic sound signature. Designed with casual listeners in mind, it typically features boosted bass and lively treble, making it well-suited for modern genres like pop, EDM, and hip-hop. It’s a straightforward, no-frills option for those looking to upgrade from basic earbuds without breaking the bank.
Price Level100 – 500< 100
Housing & Driver
Driver ConfigSingle Dyn. DriverSingle Dyn. Driver
Driver TypesDynamic DriverDynamic Driver
Shell Material
Cable
Technical
Freq Range10-45kHz
Impedance (Ω)32
Sensitivity (dB)111
Crossover
Platform Info
Comments10
Visit Count1979
External Reviews10

Meta Ratings

Zenith reveals microdetails and transient responses with subtly better articulation, helping listeners uncover nuances often missed with Mk12 Turris. For comfort fit, It performs faintly better (8 vs 7.3). From the connector housings to the shell seams, It demonstrates measurably tighter tolerances and higher production standards.

Sound
Comfort Fit
Build Quality
Stock Cable
Accessories
Mk12 TurrisZenith
Sound
7.8
8.5
Comfort Fit
7.3
8.0
Build Quality
7.5
9.0
Stock Cable
4.8
4.5
Accessories
5.0

Sound Characteristics

Mk12 Turris produces sub-bass that is overwhelmingly more textured and present in cinematic or bass-heavy tracks (8.5 vs 2). It offers overwhelmingly stronger and more impactful bass response, adding weight and presence where Zenith feels less assertive (8 vs 4). Listeners may find the low-end impact on It overwhelmingly more engaging during high-dynamic passages (8.5 vs 3). Male vocals and lower instruments sound n richer and better defined on It, unlike Zenith which can seem hollow (9 vs 6.5). In the upper mids, Zenith sounds a clearer and more articulate, highlighting vocals and lead instruments better than Mk12 Turris (8.5 vs 8). Mk12 Turris provides s more refined lower treble, resolving fine detail and air with greater finesse than Zenith (9 vs 8.5). The highest frequencies on It feel s more natural and less rolled-off compared to Zenith (9 vs 8.5). Listeners may notice that It presents sounds with a more lateral space, giving recordings more openness than Zenith (8 vs 7.5). Track elements feel a more isolated and clean on It, offering clearer focus than Zenith (8.5 vs 6.5). Instruments remain intelligible on It even during busy sections, showing a better handling of masking than Zenith (8.5 vs 6.5). The note presentation is m fuller and more tactile on It, giving instruments a stronger physical presence than Zenith (8.5 vs 6.5). It delivers overwhelmingly stronger slam and physicality, making drums and transients hit harder than Zenith (7.5 vs 3). Listeners may experience overwhelmingly fewer sharp edges in 'S' and 'T' sounds with It, whereas Zenith can get fatiguing (9.5 vs 2.5). Zenith presents instrument timbre with a more natural coloration, giving a realistic tone that Mk12 Turris lacks (9.5 vs 8.5). Across the frequency range, It stays c more consistent in tonal balance, resulting in a smoother listen than Mk12 Turris (9.5 vs 8.5). The grain and surface of instruments are rendered m more vividly by It, while Mk12 Turris feels flatter (9.5 vs 8).

Mk12 TurrisZenith
Sub Bass
8.5
2.0
Bass
8.0
4.0
Bass Feel
8.5
3.0
Lower Mids
9.0
6.5
Upper Mids
8.0
8.5
Lower Treble
9.0
8.5
Upper Treble
9.0
8.5
Sound Stage Width
8.0
7.5
Detail
8.5
8.5
Layering
8.5
6.5
Masking
8.5
6.5
Note Weight
8.5
6.5
Slam
7.5
3.0
Sibilance
9.5
2.5
Timbre Color
8.5
9.5
Tonality
8.5
9.5
Texture
8.0
9.5

Tonal Signature

// Nothing to compare yet.