Tea ProXENNS Mangird

The low-end feels even and nicely integrated. The low-end remains controlled and stable, blending well with other frequencies. There’s a neutral sense of pressure in the low-end. Lower mids are balanced, maintaining natural tonality. Upper mids feel neutral and stay comfortably in check. The lower treble is uniform, helping articulation without harshness. A dynamic upper treble brings glassy finesse to the highs. Soundstage is neutral, offering decent space and separation. There’s a well-tuned amount of detail throughout the track. Layering is consistent and sufficient for most genres. Some balanced masking appears in complex passages. Note weight is neutral and natural. Slam is well-tuned, giving a dynamic feel without overdoing it. Sibilance is neutral and rarely distracting. Tone reproduction is uniform and musical. Tonality is uniform and consistent. There’s enough definition to highlight instrument character.

The low-end feels even and nicely integrated. The low-end remains controlled and stable, blending well with other frequencies. There’s a neutral sense of pressure in the low-end. Lower mids are balanced, maintaining natural tonality. Upper mids feel neutral and stay comfortably in check. The lower treble is uniform, helping articulation without harshness. A dynamic upper treble brings glassy finesse to the highs. Soundstage is neutral, offering decent space and separation. There’s a well-tuned amount of detail throughout the track. Layering is consistent and sufficient for most genres. Some balanced masking appears in complex passages. Note weight is neutral and natural. Slam is well-tuned, giving a dynamic feel without overdoing it. Sibilance is neutral and rarely distracting. Tone reproduction is uniform and musical. Tonality is uniform and consistent. There’s enough definition to highlight instrument character.